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Why
I Quit My 6-Figure Job
I
went broke and found mental, marital, and financial stability
By: Steve Belanger

What
happened?" My accountant asked last April. He'd been doing my taxes for
more than a decade and had seen my annual income rise well into the six
figures.
"It
looks like you took a . . . "--he worked over his calculator--"98
percent pay cut."
"Yep, that sounds about right."
"How
did this happen?"
It
was quite simple, actually. I went into my boss's office one day and
quit. No severance. No other job. No interest in a counteroffer. I
simply walked away.
At
age 38, I'd decided to become an actor.
I
must admit, my life had been pretty comfortable. I was a vice
president--one of hundreds, but still--at one of the largest
corporations in the world. There was a lot of room for advancement. I
had a nice office, an enormous expense account, and plenty of perks. I
played more free golf on the country's top courses than my 19 handicap
deserved.
And
I don't need to tell you how tough it is to become an actor. There are
just shy of a gazillion actors in America trying out for seven roles. I
know because they all cram into small, windowless waiting rooms every
time I go out for an audition. And screen-writing, my backup dream, is
even harder to break into. Walk into any Starbucks in New York or L.A.
and ask for a script, and you'll have baristas coming at you as if
you're an unclaimed acre in Sooner territory.
So
why would I, by all accounts a reasonably intelligent person, take such
a huge risk?
I
wasn't happy. Never had been, really. After I graduated college, I
dreamed of writing for a magazine. I found a job at a small publishing
company, but as a financial analyst. I didn't really have a numbers
background, but at a time when computers were just starting to take over
the workplace, my ability to drive around an Excel document served me
well. My path was chosen. I bought a couple of suits and settled into a
comfy chair. Maybe I'd never be happy, but I'd be wealthy. I was okay
with that.
The
next 16 years were a blur. Raises, promotions, new titles, bigger
cubicles, a real office, and more ass-kissing than I care to admit. In
my late 20s and early 30s, I had plenty of distractions from my workaday
horror. I married, bought a house, redid the basement--stuff grown-ups
are supposed to do. Besides, didn't everybody hate his job?
I
figured I'd carry on until retirement. But as I reached my mid-30s, it
was becoming harder to ignore the fact that I was becoming a real
asshole. My wife, sadly, bore the brunt.
Let
me tell you about my wife. she truly loves me unconditionally, or
pretends really well, and all that dorky stuff about soul mates seems to
actually apply to our situation.
It
was my wife who encouraged me to pursue my dreams, mostly because she
was sick of listening to me complain. About a year before I made The
Decision, and at her prodding, I signed up for a class at one of New
York City's many wannabe-actor farms, wherein people who didn't make it
as actors teach other people how not to make it as actors.
For
me, acting was like crack. By the third class, I was hooked. Acting
classes led to improv classes, which led to an open-mike night at a
comedy club, which led to paying gigs as a stand-up comedian. An agent
saw me and started sending me on auditions.
About once a week, I'd grab my clipboard and calculator at the office
and pretend I was off to an important meeting. At my destination, I'd
leave my corporate trappings with the security guard in the lobby, take
the head shot out of my back pocket, and head upstairs to the casting
office. I went on more than 50 auditions that year, but booked only one
role. I was cast in a Noggin commercial as a business executive (damn
typecasting!).
So I
kept plugging away. Then, one day at work, something interesting
happened. The higher powers decided to create a television show and
pitch it to PBS and the BBC. I finagled myself onto the creative team
and persuaded them to let me cohost the pilot. Finally, I thought, my
16-year enslavement was going to pay off.
It
wasn't to be. Both networks turned us down. But a BBC producer issued a
report that eventually landed on my desk. The only thing she found
positive about the show was the male cohost: I was apparently "very
engaging" and "at ease on camera," and she could see me "moving on to
bigger things."
I
invited her to lunch. After I explained my situation, she said,
"Stephen"--the British are so proper--"why don't you quit your job?"
"Ah,
because that would be crazy."
"Why?"
"I
can't. I need the money. I don't know. . . . "
"Stephen, look at yourself. You're all hunched over. Your face is
twisted into a bitter knot. You're miserable!"
"Nice to meet you, too. . . . "
This
was going nowhere. She made me promise to think about it. That night in
bed, my wife asked how lunch had gone. I told her about the producer's
advice. She said, "Well, why don't you quit?"
We
turned on the lights and talked about it, real adultlike. The scariest
part, for me, was that I didn't know how long it'd take. I knew we could
survive for a few years with–out my salary, but set for life we weren't.
My wife never wavered from her position--that I might actually be
talented enough to make it.
The
next morning, she was still in favor of turning our lives upside down. I
was even more terrified. I barely slept for the next 2 weeks.
Which brings me to the final person responsible for The Decision: Warren
Zevon. For those of you who are unfamiliar (shame on you!), Zevon was a
successful musician in the mid-'70s, but his career was plagued by
alcohol and drug abuse. In 2002, he was diagnosed with inoperable lung
cancer.
He
decided to record one final album.
The
making of that album was captured in a VH1 documentary, which I watched
one night to distract me from the most important decision of my life.
Not long before Zevon died, he appeared on the Late Show with David
Letterman. He was candid about his prognosis, and Letterman asked if he
had any parting words. Zevon thought about it for a moment, then said,
"Enjoy every sandwich." Those three words shook me. What better
philosophy of life? That was the clincher.
The
next day, I quit my job.
That
was nearly 2 years ago. Am I a successful actor yet? Uh, not quite. But
my Noggin commercial is still in heavy rotation, I've appeared in
several short films, and last fall I landed a speaking role on NBC's
Kidnapped (network prime time, baby).
It
was only one short scene for a series that's already been canceled, but
it earned me membership in the Screen Actors Guild. Plus, I was paid for
3 days of work and was treated like royalty. I had my own trailer and a
team of stylists. Each day at lunch, I'd gorge myself on prime rib and
lobster.
As I
was leaving the set on my last day, I noticed Emmy-winning actress Dana
Delany walking toward me. I smiled and gave her a nod--you know, actor
to actor. She stared right through me. Maybe she didn't see me. Maybe
she knew I was a relative beginner. Maybe she was mad that I ate all the
lobster tails. Whatever. It didn't matter. For that brief moment, we
were peers.
Now,
I'm back home, sitting at my desk, chugging coffee, and looking for work
again. My quest continues, and, as with most adventures, the journey is
riveting.
I'm
doing what I want to be doing, loving my life, and enjoying every
sandwich.
Men’s
Health
magazine
March
2007
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